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The Book of Courtly Love: The Passionate Code of the Troubadours, by Andrea Hopkins
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For lovers--and lovers of romance--this lush treasury of French medieval lore illuminates the timeless stages of that most human experience--falling in love. More than 60 gorgeous, jewel-like illustrations adorn this celebration of the original laws of love.
- Sales Rank: #2449636 in Books
- Published on: 1994-11
- Original language: English
- Number of items: 1
- Dimensions: 7.00" h x 7.00" w x .50" l,
- Binding: Hardcover
- 122 pages
From the Publisher
For lovers--and lovers of romance--this lushly illustrated, sumptuous treasure illuminates the timeless stages of the most human experience, falling in love.
Most helpful customer reviews
3 of 4 people found the following review helpful.
The origins of modern romantic love
By Rebecca Huston
One of the most amazing things about medieval culture in Europe was the rise of what we would call today romance. Oh I'm certain that before the Crusades there must have been romantic love, but from what I've read, there doesn't seem to really be a lot of literature or poetry that was written around the idea of a noble, suffering, love that didn't involve the pangs of sexual lust somewhere in there. Once the sexual desire had been satisfied and peaked, usually a couple parted ways and found someone else.
Certainly marriage did not have any of the illusions of love tacked onto it. Marriage was a business arrangement, designed to bring two great families together, or to combine wealth, or to create an alliance. Love was something reckless, and a bit foolish, and certainly nothing to base a long term relationship on. Indeed -- most philosophers regarded romantic love as an illness, and suggested that love of that intensity be saved for God.
But something happened when those knights who had gone on Crusade in the eleventh century returned to France. Suddenly, there was poetry being written about the joys of love between men and women. It was quietly, passionately erotic, placing the figure of a well-born, noble lady on a pedestal for a knight to adore with actions and words. For a culture that had viewed women as little more than broodstock for the next generation and a satisfier of physical lust, it was quite a change. Clearly there had been a shift, but what and who and how had made it happen?
In this slim little introduction to the idea of Courtly Love, Andrea Hopkins uses poetry and art to give a glimpse of this change. The book opens with the thirty-one maxims compiled by Andreas the Chaplain, giving some views on love -- that a person can not love two people at the same time, that love is either increasing or decreasing all the time, that it is not honorable to love someone that you would be ashamed to marry, that jealousy is a vital component of love, that excessive lust does not always mean love, and so forth.
After this, Hopkins shows the progress of the love affair, between the meeting of the fated pair all the way through to the usual sad or happy ending. It's a standard, almost predictable, journey -- the lovers meet, notice an immediate attraction, obstacles and self-doubt for the lovers, lovers that go mad or die because of their love, and finally, lovers that manage to be together not just in death but in life. Hopkins sums up the book with how romantic love has survived the middle ages and renaissance to what we now consider to be true love -- love that is deeply romantic, free of complications and perhaps not quite grounded in reality.
To illustrate these aspects, Hopkins uses the tales that are most familiar to modern readers -- Tristan and Isolde, Guenevere and Lancelot, and the lesser known tales of Aucaussin and Nicolette and Troilus and Cresyide. She draws on manuscript illuminations, poetry and on the written stories about these lovers, using them to illustrate Andreas' various rules about love. It's a graceful, pretty work, despite the fact that the book itself is rather small in size and only about 120 pages long.
At the end, there is a list filled with suggestions for further reading, and sources used for the various illustrations. All in all, this is a charming little book on the ideals of courtly love, presented in language for the casual reader, and skips the more tangled and scholarly language of other books on the topic. It's a fine book for anyone who is curious as to where the modern idea of romantic love came from, and how it evolved to what we know today.
Four stars overall.
Recommended.
1 of 1 people found the following review helpful.
The Courts of Love and Occasionally, the Beds Thereof
By Owl
The life of a high-born lady in the 12th and 13th centuries was similar to that of a pawn on a fiercely-contested chess-board. First, childhood weddings to ally powerful land-owners followed by child-bearing to assure dynastic continuation, thence, perhaps in some relief, they got them to a nunnery.
Queen Eleanor (of France, then England, and always Duchess of the vast lands of Aquitane) and her daughter, Marie of Champagne, were game-changers. While the men were crusading, the ladies created Courts of Love to debate such questions as whether married love was possible. Troubadours were welcomed by Eleanor, whose grandfather was both ruler and rhymer, and the rules of courtly love evolved, both reflecting and shaping stories. we know these names & tales: Tristram, Iseult of the White Hands, Iseult of Ireland; Troilus and Cressida; Gwenevere, Arthur, and Lancelot---and eventually, Don Quixote whose passion for the peerless Dulcinea Del Toboso is the culmination of the beauty and the madness of this courtly ideal.
In "The Book of Courtly Love," Andrea Hopkins weaves history, poetry, legend, art into a lovely tapestry. The nine chapter follow the course of romantic love as seen in the 11th to 14th centuries. The ideal lover then was mostly requited by a fair one's smile but there's also a fine chapter, "A Consummation Devoutly to be Wished."
The book is now marvelously affordable. The quality of the glossy paper and the many color reproductions are excellent. The dust jacket features an Italianate painting of lady (gazing into distance) and virilely sworded suitor (gazing at her). All in all,a fine production by Harper Collins and a task well completed by researcher & author Andrea Hopkins. Hopkins, praise her, translates that can be a bridge for us from now to that still-remembered then.
For those fascinated by Eleanor, that splendid woman, who are intrigued the by-ways of history such as Andreas Capellanus's Rules of Love, and their reverberations to our own time, this is a book to enjoy for yourself. It would be a fine small gift to one reading Chaucer and comparing the Wyfe of Bath to the romantic tales.
It would decidedly not, I think, be a well-considered engagement gift but not inappropriate for a friend experiencing the dissolution of love's bonds, the expectation of which was, perhaps surprisingly, part of the vision of romantic love.
A great weighty definitive masterpiece? No. As a charming brief and beautiful journey to Love's Courts, five stars.
1 of 1 people found the following review helpful.
Highly recommended
By The Reviewer Formerly Known as Kurt Johnson
This small book, is an excellent look at the courtly love of twelfth century France. The book looks at the phenomenon of courtly love, what it taught, and how it happened. Along the way, the reader is treated to many beautifully reproduced pictures. I loved reading this book, and highly recommend it to you.
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