Sunday, October 21, 2012

[C231.Ebook] Fee Download Rya Yachtmaster Handbook, by James Stevens

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Rya Yachtmaster Handbook, by James Stevens

  • Sales Rank: #1777293 in Books
  • Published on: 2011-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.31" h x .51" w x 7.72" l, .0 pounds
  • Binding: Hardcover
  • 107 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
cool
By Brian
thanks.

0 of 0 people found the following review helpful.
Five Stars
By peter morran
Just great

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Saturday, October 20, 2012

[M425.Ebook] Download PDF Metro 2033: First U.S. English edition (METRO by Dmitry Glukhovsky), by Dmitry Glukhovsky

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Metro 2033: First U.S. English edition (METRO by Dmitry Glukhovsky), by Dmitry Glukhovsky

he novel that gave birth to the video games 'Metro 2033' and 'Metro: Last Light' The breathtaking original story that inspired both the METRO 2033 and METRO: LAST LIGHT video games! An international bestseller, translated into 35 languages. Set in the shattered subway of a post apocalyptic Moscow, Metro 2033 is a story of intensive underground survival where the fate of mankind rests in your hands. In 2013 the world was devastated by an apocalyptic event, annihilating almost all mankind and turning the earth’s surface into a poisonous wasteland. A handful of survivors took refuge in the depths of the Moscow underground, and human civilization entered a new Dark Age. The year is 2033. An entire generation has been born and raised underground, and their besieged Metro Station-Cities struggle for survival, with each other, and the mutant horrors that await outside. Artyom was born in the last days before the fire. Having never ventured beyond his Metro Station-City limits, one fateful event sparks a desperate mission to the heart of the Metro system, to warn the remnants of mankind of a terrible impending threat. His journey takes him from the forgotten catacombs beneath the subway to the desolate wastelands above, where his actions will determine the fate of mankind. BURIED. ALIVE. It is now two decades since the planet was convulsed by the Final War, which flashed across the continents, engulfing all of them in an instant, to close the final chapter in our history. Deployed in this war, the most advanced inventions and greatest discoveries of the human genius drove the human race back into caves, submerging civilization forever in the impenetrable gloom of a final Dark Age. Nowadays, in the year 2033, no one can recall any longer what triggered the hostilities. Absurd. But if you think for a moment, what does it matter who started it? Those who unleashed the war were the first to die… And the inheritance they left to us was a smoldering ember that used to be called the Earth. The entire world lies in ruins. The human race has been almost completely exterminated. Even cities that were not totally demolished were rendered unfit to live in by the radiation. And the rumors say that beyond the city limits lie boundless expanses of scorched desert and dense thickets of mutated forest. But what really is there, no one knows. The airwaves are empty, and when the few radio operators who are left tune in for the millionth time to the frequencies on which New York, Paris, Tokyo and Buenos Aires once used to broadcast, all they hear is a dismal howl. More than twenty years have passed since the day when the final plane took off. Railroad tracks, corroded and pitted with rust, now lead nowhere. The great construction projects of the age were transformed into ruins without ever being completed and the skyscrapers of Chicago and Frankfurt were reduced to rubble. The historic districts of Rome lie smothered in moss and fungus, the Eiffel Tower, gnawed through by reddish-brown leprosy, has snapped in half. And the weeds of fiction and fantasy are flourishing on the memory of humankind’s former glory. It is only twenty years since the war ended before it had even begun. But in those twenty years the world has changed beyond all recognition. The planet has new masters now, and the human race is condemned to huddle in burrows, consoling itself with memories. The radiation and viruses with which some human beings attempted to eradicate others have brought new creatures into the world. And now they rule by right over the desolate Earth. The mutants are far better adapted to this new world than human beings. The human era is almost over. There are not many of us left, only a few tens of thousands, out of seven billion human beings. We don’t know if there were others who survived in some other place, on the other side of the world, or if we are the last humans on the planet. We live in the Moscow Metro.

  • Sales Rank: #11827 in Books
  • Brand: Brand: CreateSpace Independent Publishing Platform
  • Published on: 2013-01-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.16" w x 6.00" l, 1.48 pounds
  • Binding: Paperback
  • 460 pages
Features
  • Used Book in Good Condition

About the Author
Dmitry A. Glukhovsky is a Russian author and journalist known for Sci-Fi, Magic-Realism, and his exploration of social and political structures. He began writing his first novel, Metro 2033, at the age of 18, and then published it on his website in 2002, available for all to read for free. The novel has become an interactive experiment, drawing in over 3 million readers world-wide. It has since been made into a video game for the Xbox and PC, was published in Russia in 2005, and in the US in 2010. Most recently it was optioned by MGM studios. In 2007 It's Getting Darker was published, followed by Metro 2034 in 2009, Russia’s best-seller that year, also available free on-line, both as text and as a collaborative art-project with Russian electronic performer Dolphin and visual-artist Anton Gretchko. This was followed in 2010 by a series of satirical stories about Russia today - Stories about Motherland. As a journalist, Dmitry Glukhovsky has worked for EuroNews TV in France, Deutsche Welle, and RT, (the first Russian 24/7 English-language news channel broadcasting the Russian view on global news world-wide.) He writes columns for Harper’s Bazaar, l’Officiel and Playboy. Currently living in Moscow, Glukhovsky has lived in Israel, Germany and France. He speaks English, French and Hebrew fluently, reads German and some Spanish, as well as his native Russian.

Most helpful customer reviews

10 of 10 people found the following review helpful.
Deeply impressed by the world the author created
By N. H.
I first discovered Dmitry Glukhovsky’s METRO series through a video game play on youtube. My son, knowing my love for all things apocalyptic, showed me Let's Play Metro Last Light - Part 1 - In The Beginning… by Christopher Odd. I loved the first video and decided to look into the game. The game was based on a series of novels by Dmitry Glukhovsky. The first two novels were available in English and had audio book versions. The novella which links the first and second book is available in English but has no audio book version. Absolutely no debate on purchasing the audio books.

The universe METRO builds begins in our world. The cold war is over. The USSR is a thing of the past although it’s shadow lingers over modern day Russia. The main character, Artyom, is a young adult. He was born before the event but only has very few and fragmented memories of it. On the day of the event, he and his mother were visiting a park close to a metro station. That is why they survived. The metro stations could be sealed to stop contaminants from coming in (the metro was designed and built during the USSR period). Artyom and his mother make it into the metro and past the doors before they are sealed.

The metro develops into a new society. As time goes on, the different lines or branches develop different political ideologies. Some stations are more desirable than others, some have more resources, some have ways to grow food underground, some have access to uncontaminated water. Before long treaties are made, broken and fighting begins. The metro is no longer one system but a collection of city states that are connected by dark tunnels.

What is in the tunnels is the mystery that lies at the heart of the METRO 2033 book. Traveling even a few hundred meters into the tunnels can be dangerous. Some of the dangers are defined; hordes of rats, mutated life forms that got into the tunnels from above, marauding humans who prey on their own kind. Some of the dangers are undefined. People, groups of people and caravans, evenly armed ones disappear without a trace, without a sound and no sign of struggles. The tunnel dwellers have dubbed the cause of these disappearances as the “Dark Ones”.

The website [...] has a virtual tour of all the stations mentioned in the book. It is a wonderful way to connect the descriptions of severely damaged places with what they looked like in reality. Since the story begins in our reality, the photos are showing the reality of the Metro universe before the nuclear event.

METRO 2033 is the quest Artyom undertakes to save the entire Metro system. He is tasked with this by a mysterious man who is only referred to as “Hunter”. There is a time element to the quest. As in life in 2016, life in post-apocalypse 2033 does not go as planned. Artyom tours, sometimes unwillingly, many of the various city-states that make up the Metro. It is a fascinating trip. The characters are real. The various ideologies of the city-states are believable. The unknowns in the dark tunnels ratchet up the suspense to terrifying levels. By the end of the book, I was deeply impressed by the world the author created and how much I came to care about the characters in it.

METRO 2033: The Gospel According to Artyom is a bridge to METRO 2034. It is only twenty-seven pages but well worth the $2.99 price. Artyom illustrates the consequences of the events the ended METRO 2033. But this short piece also gives significant background into his life before and during the apocalyptic event. It really is worth the price.

METRO 2034 begins not long after the end of METRO 2033. The main characters are the “Hunter” from the first book, a man called Homer who believes it is his vocation to write a history and chronicle of the Metro, and a teenage girl named Sasha who has been recently orphaned. Sasha’s father used to be one of the dictator’s of a Metro city-state until he and the girl were banished to an area that had little to no hope of survival. They did survive. Her father managed to live long enough for her to mature and learn to defend herself before his death. Hunter, Homer and Sasha come together in a collision of missions, Sasha’s to survive, Hunter and Homer to find out what happened to a station that no longer broadcasts or sends runners with news. Artyom does not have a large part in this story. He does not make an appearance until Chapter 10. Yet everything that is happening is a consequence of his actions in METRO 2033. The threat this time is not the Dark Ones. It is something much worse and something almost impossible to stop. As with the first book, the characters are fantastic and I grew to care about them. The action is non-stop.

The audiobooks of METRO 2033 and METRO 2034 are narrated by Rupert Degas. He is fantastic. His accent for the Russian speakers if marvelous. When simply narrating, not the dialogue, he has a very clear voice with an English accent. His female voices are very well done. I have since added several of his titles to my wish list.

The last book in the series METRO 2035 has not been released in English yet. I wonder if a social media campaign of begging to the author could help facilitate that happening.

5 of 5 people found the following review helpful.
Great if you've played the game, though this edition/translation are not without errors.
By Joe
Bought this book after playing the amazing video game it inspired. The book was interesting, and as a film student, I always enjoy seeing what elements are altered between the mediums of text/film/video game. The book is certainly worth a read if you're familiar with the games and the Metro universe.

However, there are two major things that make this novel lose points for me. The first is specific to this edition of the book; being that there is no map of the Moscow Metro system whatsoever in it. When reading the novel, I always had my phone at my side with a map of Artyom's world ready to be pulled up for reference. The second issue is with the translation of the novel. While it isn't terrible, it certainly isn't refined, and I found myself losing train of thought and having to reread several paragraphs that contain more complex, articulate ideas. The sections where Artyom delves into philosophical thought or dreamscapes are particularly difficult to read, and even when you do manage to understand the point he is trying to convey, it is often uncomfortable to read.

0 of 0 people found the following review helpful.
A dense but provocative read
By M. Hirtzel
Dmitry Glukhovsky's METRO 2033 is a dense read, as one would expect a Russian spec-fic novel to be, but it's also filled with incredibly timely insight. Set post-World War III in the underground subway stations and pathways beneath Moscow, the book follows young adventurer Artyom on his quest from his home station to the center of the Metro, facing human foes as well as mutated ones.

METRO 2033 is a claustrophobic world populated with characters who range from hookah-smoking philosophers and maudlin historians to hard-nosed soldiers and handsome revolutionaries. The characters are overwhelmingly male, but that never distracted me. The protagonist, Artyom, is also more vessel and earpiece than hero for most of the book, though the action does pick up, notably in the second half. The author uses the varied stations and their microcosm cultures to investigate different attitudes and possibilities post-apocalypse, in a grim setting that feels fitting for a collapsed former world power.

As to the book itself, I've seen some reviewers commenting on the lackluster translation. I'll agree that some sections demand close attention to understand exactly what's going on, and there are typographical mistakes littered throughout the book. The prose in translated English is not particularly lyrical, but when the high points occur, they're riveting. This seems typical in a lot of translations. I've read many of the Swedish Henning Mankell "Wallander" novels, and they have a lot of these same issues. The story in this book was compelling enough for me to move past the issues, though, despite some stuttering.

Recommended for readers (or fans of the game series) who want to step into the sprawling, subterranean, dystopian world of the Russian Metro, who can also handle dense speculative fiction with political overtones.

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Metro 2033: First U.S. English edition (METRO by Dmitry Glukhovsky), by Dmitry Glukhovsky PDF
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Thursday, October 18, 2012

[H897.Ebook] Download The Brief Penguin Handbook with Exercises (4th Edition) (Faigley Penguin Franchise), by Lester Faigley

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Now updated with expanded documentation, research, and academic writing coverage, The Brief Penguin Handbook with Exercises continues to revolutionize the way handbooks present information. 

 

The design and approach of The Brief Penguin Handbook with Exercises started with ideas and suggestions from real students, and thus it is uniquely successful when it comes to giving students the information they need in a format they will actually use.  With unique visual guides and models for writing, research, and documentation, distinctive coverage of writing for different purposes, and Lester Faigley’s clear, accessible explanations, The Brief Penguin Handbook with Exercises has established itself as the best-selling handbook to enter the market in eighteen years.  The Fourth Edition of this extraordinary handbook continues to lead the market with completely reorganized documentation chapters; new "maps" at the opening of the research and documentation chapters, to help students navigate the research process, as well as navigate and find answers in the handbook itself; and selected new "Student Writer" sections to demonstrate the messy, thoughtful processes that students go through when using and citing sources. 

  • Sales Rank: #639349 in Books
  • Published on: 2011-01-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.60" h x 1.10" w x 6.70" l, 1.45 pounds
  • Binding: Spiral-bound
  • 608 pages

About the Author

Lester Faigley holds the Robert Adger Law and Thos. H. Law Professorship in Humanities at the University of Texas at Austin. He was the founding director of the Division (now Department) of Rhetoric and Writing at Texas in 1993, and he served as the 1996 Chair of the Conference on College Composition and Communication. Faigley has published over twenty books and editions, including Fragments of Rationality (Pittsburgh, 1992), which received the MLA Mina P. Shaughnessy Prize.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Covers changes to publication over the last decade, too!
By KIMBER
Wow, things sure have changed! This has great coverage for social and media changes over the last twenty years, too!

0 of 0 people found the following review helpful.
never used it.
By Daniel Muiter
Got it as a required book for English class, never looked at it once. . . so it's hard to give a fair review on the book its self. Ask your upper class mates if you'll actually be using it before you waist your money.

0 of 0 people found the following review helpful.
Perfect for both English natives and those that have
By Athenai
It has everything to know how to write your papers and exercises to go with that. Perfect for both English natives and those that have ESL

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Monday, October 8, 2012

[H222.Ebook] Download 50 Ways to Wear a Scarf, by Lauren Friedman

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50 Ways to Wear a Scarf, by Lauren Friedman

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50 Ways to Wear a Scarf, by Lauren Friedman

From the Audrey to the Paris, the Top Down, or the Easy Breezy, there are 50 scarf styles in this book for any occasion or mood. Jaunty illustrations break down each step so stylistas can wrap, loop, and get out the door looking perfectly polished. Teens, young professionals, and moms alike will love playing around with the looks, including unexpected belts, sarongs, and topknots. Vibrantly illustrated and packaged as a compact hardcover, 50 Ways to Wear a Scarf begs to be gifted with a scarf and displayed on a dresser, plus it's small enough to take scarf shopping. Très chic!

  • Sales Rank: #12984 in Books
  • Brand: imusti
  • Published on: 2014-02-11
  • Released on: 2014-02-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.25" h x .50" w x 8.25" l, .70 pounds
  • Binding: Hardcover
  • 128 pages
Features
  • Chronicle Books (CA)

Review
"A beautifully illustrated guide."
-Glitter Guide

"Fifty new ways to style our most essential piece."
-Refinery29

About the Author
Lauren Friedman is an illustrator who has collaborated with many notable brands and publications. Originally from Ann Arbor, Michigan, she is the creator of the blog My Closet in Sketches and currently lives in Washington, D.C.

Most helpful customer reviews

21 of 21 people found the following review helpful.
I was pleased with my purchase
By Sharon Dunning
I bought this as a gift, but looked through it first. I chose this particular book because it seemed far more current than many of the others offered from the 70's and 80's! I was pleased with my purchase.

9 of 9 people found the following review helpful.
Good gift -- for yourself or someone else.
By Brooke T
I had bought this for myself some time ago--first as an ebook, but then decided I wanted a physical copy so I could more easily refer to the styles. I recently bought it again as a gift. It has lovely illustrations and easy instructions. I only wish it had an illustrated index so you could flip quickly to a specific style depending on scarf length & shape, but that feels like a small complaint. I've tried many of the styles and received lots of compliments since purchasing the book.

6 of 6 people found the following review helpful.
Great gift idea!
By Samantha
This book is full of wonderful ideas that I would have never thought of! Even with the internet at our disposal, it is very handy to have so many ideas in one, easily accessible place. The step-by-step illustrations are very well drawn, and easy to follow. If you have a friend who has everything, this might be the perfect gift for them (as long as they like to wear scarves that is)!

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Saturday, October 6, 2012

[B606.Ebook] Ebook Nuovo Espresso: Libro Studente + Dvd-rom 1 (Italian Edition)From Alma Edizioni

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  • Sales Rank: #1238863 in Books
  • Published on: 2014-04-01
  • Original language: English
  • Dimensions: 11.06" h x .47" w x 8.31" l, .84 pounds
  • Binding: Paperback

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Tuesday, October 2, 2012

[Q194.Ebook] Download Ebook Journal For 8 Year Old Boy: 6 x 9, 108 Lined Pages (diary, notebook, journal), by Dartan Creations

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  • Sales Rank: #1286187 in Books
  • Published on: 2017-03-22
  • Original language: English
  • Dimensions: 9.00" h x .25" w x 6.00" l,
  • Binding: Paperback
  • 110 pages

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Monday, October 1, 2012

[T261.Ebook] Ebook Free Survival In Auschwitz, by Primo Levi

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Survival In Auschwitz, by Primo Levi

The true and harrowing account of Primo Levi’s experience at the German concentration camp of Auschwitz and his miraculous survival; hailed by The Times Literary Supplement as a “true work of art, this edition includes an exclusive conversation between the author and Philip Roth.

In 1943, Primo Levi, a twenty-five-year-old chemist and “Italian citizen of Jewish race,” was arrested by Italian fascists and deported from his native Turin to Auschwitz. Survival in Auschwitz is Levi’s classic account of his ten months in the German death camp, a harrowing story of systematic cruelty and miraculous endurance. Remarkable for its simplicity, restraint, compassion, and even wit, Survival in Auschwitz remains a lasting testament to the indestructibility of the human spirit. Included in this new edition is an illuminating conversation between Philip Roth and Primo Levi never before published in book form.

  • Sales Rank: #6305 in Books
  • Brand: Touchstone
  • Published on: 1996-09-01
  • Released on: 1995-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x .50" w x 5.50" l, .39 pounds
  • Binding: Paperback
  • 187 pages
Features
  • Touchstone

Amazon.com Review
Survival in Auschwitz is a mostly straightforward narrative, beginning with Primo Levi's deportation from Turin, Italy, to the concentration camp Auschwitz in Poland in 1943. Levi, then a 25-year-old chemist, spent 10 months in the camp. Even Levi's most graphic descriptions of the horrors he witnessed and endured there are marked by a restraint and wit that not only gives readers access to his experience, but confronts them with it in stark ethical and emotional terms: "[A]t dawn the barbed wire was full of children's washing hung out in the wind to dry. Nor did they forget the diapers, the toys, the cushions and the hundred other small things which mothers remember and which children always need. Would you not do the same? If you and your child were going to be killed tomorrow, would you not give him something to eat today?" --Michael Joseph Gross

Review
Italo Calvino One of the most important and gifted writers of our time.

David Caute, New Statesman Survival in Auschwitz is a stark prose poem on the deepest sufferings of man told without self-pity, but with a muted passion and intensity, an occasional cry of anguish, which makes it one of the most remarkable documents I have ever read.

Meredith Tax, The Village Voice More than anything else I've read or seen, Levi's books helped me not only to grasp the reality of genocide but to figure out what it means for people like me who grew up sheltered from the storm.

The Times Literary Supplement (London) Survival in Auschwitz has the inevitability of the true work of art.

Language Notes
Text: English, Italian (translation)

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8 of 8 people found the following review helpful.
Nation after nation fell under the Nazi spell and power as many engaged in terrific acts of cruelty
By Claudia Moscovici
Primo Levi’s reflection on humanity in crisis: Survival in Auschwitz (If This is a man)
Primo Levi’s memoir, Survival in Auschwitz (New York: Simon & Schuster, 1996, translated by Giulio Einaudi), is not just about the author’s survival in the notorious Nazi concentration camp, but above all about the survival of his humanity after enduring such a grueling process of dehumanization. Published in 1947 under the Italian title If This is a Man (Se questo e un uomo), the author doesn’t claim to offer new information in this autobiographical book. Nor does he wish to level fresh accusations against the Nazis. Written in a calm, observational tone, Survival in Auschwitz sets out “to furnish documentation for a quiet study of certain aspects of the human mind” (9).
Thoughtful and thought provoking, the narrative constitutes a reflection on the power—and limits—of forgiveness. In an interview published by the New Republic on February 16, 1986, Levi announces that he did not harbor feelings of hatred towards the Germans. He explains: “I regard hatred as bestial and crude, and prefer that my actions and thoughts be the product, as far as possible, of reason. Much less do I accept hatred directed collectively at an ethnic group, for example at all the Germans.” Levi views the Holocaust not as a reflection of the German nation, but as a much broader crisis of humanity. Nation after nation fell under the Nazi spell and power as many engaged in terrific acts of cruelty.
Does this mean that the author absolves the Nazi of moral responsibility for their actions? Not at all. In the same interview, Primo Levi qualifies: “All the same, I would not want my abstaining from explicit judgment to be confused with an indiscriminate pardon.” He explains that he can only forgive those who show--through their actions, not just their words--that they take responsibility and feel guilty for their crimes against humanity. He is speaking, above all, of the crimes of ordinary men and women.
In Survival in Auschwitz Levi describes how inflicting harm upon other human beings becomes completely routine. Without harboring any particular hatred, Nazi officers conduct the selection process and send hundreds of thousands of people—including practically all women and children—to their deaths in the gas chambers. One of the questions that continues to preoccupy Levi throughout his life is how this mass murder can become commonplace—little more than doing one’s job--and how much the German population at large knew about it and allowed it to happen.
In the 1986 New Republic interview Levi, characteristically, offers a very reasonable answer: because totalitarian regimes function very differently from democracies it’s not possible to have a dissemination of truthful information and open criticism of despicable actions in totalitarian regimes that we can have in democratic societies. Yet, by the same token, Levi remarks, “it was not possible to hide the existence of the enormous concentration camp apparatus from the German people. What’s more, it was not (from the Nazi point of view) even desirable. Creating and maintaining an atmosphere of undefined terror in the country was one of the aims of Nazism.”
Perhaps one of the most profound observations in Survival in Auschwitz is the statement that just as absolute happiness is impossible, so is absolute unhappiness, even in the hellish conditions of the Nazi concentration camps. Human beings gradually adapt to each phase of the process of dehumanization: starting with the isolation from the rest of the population in Jewish ghettos; to the order to gather by the train station to be transported in cattle trains to the concentration camps (he describes how lovingly mothers pack for the trip clothes and nourishment for their children, p.91); to the brutal conditions of the camps themselves. At each phase, victims focus on the moment-to-moment fight for survival. Heroism in such adverse conditions becomes almost impossible; while, conversely, as Levi observes, “to sink is the easiest of matters; it is enough to carry out all the orders one receives, to eat only the ration, to observe the discipline of the work and the camp” (Survival in Auschwitz, 90). In such a context, the quest for survival assumes heroic dimensions in itself, as is the ability to endure extreme hardship while remaining human and humane. Few are able achieve this: among those few is Levi’s friend, Lorenzo, the man who motivates him to do the same and whom he remembers fondly for the rest of his life.
When asked, in the New Republic interview, why a grander, more ambitious heroism didn’t occur in the camps—“How is it that there were no large-scale revolts? —Levi reminds readers that in the heavily guarded concentration camps, “Escape was difficult and extremely dangerous. The prisoners were debilitated, besides being demoralized, by hunger and ill treatment. Their heads were shaved, their striped clothing was immediately recognizable, and their wooden clogs made silent and rapid walking impossible.” Moreover, the prisoners were in a foreign country whose inhabitants were largely hostile to them or, at best, indifferent to their plight and whose local language they didn’t speak. As for revolts, Levi points out, they existed—in Treblinka, Sobibor and Birkenau. However, “They did not have much numerical weight. Like the Warsaw Ghetto uprising, they represented, rather, examples of extraordinary moral force. In every instance they were planned and led by prisoners who were privileged in some way, and consequently in better physical and spiritual condition than the average camp prisoner.”
Although he remained, philosophically speaking, a humanist and rationalist throughout his life despite the severe trauma he experienced in the Nazi concentration camps, Levi eventually succumbed to its effects: the depression and nightmares that haunted him throughout his life. In April 1987 he died after falling from his third-story apartment in Turin, which many close to him considered a suicide. Yet he did not write, suffer and die in vain. Through his memoirs, books and interviews, Primo Levi left behind an invaluable intellectual legacy that helps us recall, commemorate, and understand better the worst humanitarian crisis in our history.
Claudia Moscovici, Holocaust Memory

4 of 4 people found the following review helpful.
Levi’s book is perhaps the best book written about the existential experience of living in ...
By Russell Hvolbek
Survival in Auschwitz
Primo Levi

With a poet’s skill for detail and evocative illustration, Primo Levi describes what happens to men when their humanity is systematically denied them. Published in Italy in 1958, as If This is a Man, the English title Survival in Auschwitz was a publisher’s decision. The original title maintains the more suggestive issue behind the book. Title aside, Levi’s book is perhaps the best book written about the existential experience of living in Auschwitz. It is also as clear a statement possible about how fragile is our humanity, and how easily ideological driven differences within a society can transform common citizens into sadists.

Levi understood the camps to be a science experiment designed to eliminate the niceties that gird and enable individual and collective human co-existence. Hence, when the Jews arrived at the camps the Germans separated the fathers, the mothers, and their children from each other. They took away their clothes, cut off their hair, replaced their names with a number, and talked about them as if they were objects (stück). A couple hours after arriving in Auschwitz, all which remained of their humanity was their bodies. Their bodies would soon all look and smell like the living skeletons we associate with the concentration camps.

Almost everyone who was not immediately killed was to put to this test: You are unconditionally alone. You will receive a minimum amount of food, the clothes we supply you are not meant to keep you warm, your shoes will rub your feet raw and the sores will get infected, you will get up at dawn and work throughout the day, and every day will be the same until we decide you must go to the chimneys.

Moreover, no human kindness will be shown you. We do not consider you a human being. You will quickly learn to trust no one. Leave your spoon or bowl unguarded for a second and it will disappear. Sharing and caring for anyone but your self is a fool’s project; “eat your own bread, and if you can, that of your neighbor.” For the Jews, Auschwitz was not a punishment but a manner of living assigned to them by the SS. Life was reduced to “primordial mechanism.”

The consequences of this treatment and how it plays out are superbly recounted by Levi. He writes that few prisoners consciously resigned themselves to their fate. Rather, they sank into the “opaque torpor of beasts broken in by blows, whom the blows no longer hurt.” They had lost their selves, become hollow, reduced to suffering and needs, fraternized in a uniform of internal desolation.

Those who followed the rules were usually dead within three months. Only men with one of three qualities survived: 1) Those that they were physically powerful, 2) those who were ruthless and brutal, and 3) those that had a skill the Germans needed. In such a condition Levi asks if there any meaning to ‘good’ or ‘evil’, ‘just’ and ‘unjust’? Certainly our moral world could not survive. If that goes, so goes our humanity.

Levi survived. He was lucky. At the beginning of his second winter in the camp the Germans opened a lab and needed Chemists. He was one and proved it. Inside the chemistry lab Levi had two things going for him. He was insulated from the winter, and he could steal equipment from the lab and sell it for food. Nonetheless, he had got to the point, as he said, where “I am not even alive enough to know how to kill myself.” He had been brought to the bottom, made hollow. Born 31 July 1919, Levi died 11 April 1987.

This is a great book. Read it.

4 of 4 people found the following review helpful.
Man's Inhumanity to Man, Scrupulously Reported
By Anne Mills
Primo Levi was a 24 year old Italian Jew when he was sent to Auschwitz in February of 1944, with 650 other Italian Jews. He survived there for almost a year: in January of 1945, the camp was abandoned by the Germans, and shortly thereafter the Red Army liberated the camp. Only 20 others in his group survived with him. This book records his experiences in Auschwitz in clear, measured, and horrifyingly evocative prose. The camp was designed to grind all self-respect, all morality, all honor and all love out of its inmates. Amazingly, given the constant cruelty and deprivation to which the inmates were subjected, it did not always succeed. Levi survived because another man brought him soup every day, without thought of gain: Levi says of him "This was a man". So too was Levi, who retained the ability to think of others throughout his ordeal. This is a very hard book to read, but it should be read. It shows vividly what is worst about humanity, and also shows how goodness can -- occasionally -- survive that worst.

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