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Bastard Out of Carolina: A Novel, by Dorothy Allison
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The Classic work of fiction that dramatically illuminates the lives described in current nonfiction bestsellers like J.D. Vance's Hillbilly Elegy and Nancy Isenberg's White Trash
The modern literary classic that has been compared to To Kill a Mockingbird and Catcher in the Rye
"As close to flawless as any reader could ask for." —The New York Times Book Review
The publication of Dorothy Allison's Bastard Out of Carolina was a landmark event. The novel's profound portrait of family dynamics in the rural South won the author a National Book Award nomination and launched her into the literary spotlight. Critics have likened Allison to William Faulkner, Flannery O'Connor, and Harper Lee, naming her the first writer of her generation to dramatize the lives and language of poor whites in the South. Since its appearance, the novel has inspired an award-winning film and has been banned from libraries and classrooms, championed by fans, and defended by critics.
Greenville County, South Carolina, is a wild, lush place that is home to the Boatwright family-a tight-knit clan of rough-hewn, hard- drinking men who shoot up each other's trucks, and indomitable women who get married young and age too quickly. At the heart of this story is Ruth Anne Boatwright, known simply as Bone, a bastard child who observes the world around her with a mercilessly keen perspective. When her stepfather Daddy Glen, "cold as death, mean as a snake," becomes increasingly more vicious toward her, Bone finds herself caught in a family triangle that tests the loyalty of her mother, Anney-and leads to a final, harrowing encounter from which there can be no turning back.
Now available in a twentieth anniversary keepsake edition with a new afterword by the author.
- Sales Rank: #7716 in eBooks
- Published on: 2005-09-06
- Released on: 2005-09-06
- Format: Kindle eBook
From Publishers Weekly
Allison's remarkable country voice emerges in a first novel spiked with pungent characters ranging from the slatternly to the grotesque, and saturated with sense of place--Greenville, S.C. Ruth Anne Boatwright, 13, got the nickname Bone at birth, when she was tiny as a knucklebone, and the tag acquires painful derivatives, like "Bonehead." While her mother, Annie, a waitress, tries vainly to get the word "illegitimate" scrubbed from Bone's birth certificate, her tobacco-spitting granny reminds her she's a bastard. The identity of her real father, whom granny drove away, is kept from her. Surrounded by loving aunts and uncles, Bone still endures ridicule (she's homely, she has no voice for gospel singing) and--from vicious Daddy Glen, her mother's new husband--beatings and sexual abuse. Bone takes refuge in petty crime, like breaking into Woolworth's, and finds her truest friend in unmarried Aunt Raylene, who once had a great love for another woman. Annie gently defends Daddy Glen, blaming her daughter, until the tale's inevitably brutal climax. Mental and physical cruelty to women forms a main theme, illuminated by the subplot of pathetic albino Shannon Pearls, her story rife with Southern gothic overtones. Allison, author of the well-received short story collection Trash , doesn't condescend to her "white trash" characters; she portrays them with understanding and love.
Copyright 1992 Reed Business Information, Inc.
From Library Journal
Set in the rural South, this tale centers around the Boatwright family, a proud and closeknit clan known for their drinking, fighting, and womanizing. Nicknamed Bone by her Uncle Earle, Ruth Anne is the bastard child of Anney Boatwright, who has fought tirelessly to legitimize her child. When she marries Glen, a man from a good family, it appears that her prayers have been answered. However, Anney suffers a miscarriage and Glen begins drifting. He develops a contentious relationship with Bone and then begins taking sexual liberties with her. Embarrassed and unwilling to report these unwanted advances, Bone bottles them up and acts out her confusion and shame. Unaware of her husband's abusive behavior, Anney stands by her man. Eventually, a violent encounter wrests Bone away from her stepfather. In this first novel, Allison creates a rich sense of family and portrays the psychology of a sexually abused child with sensitivity and insight. Recommended for general fiction collections.
-Kimberly G. Allen, National Assn. of Home Builders Lib., Washington, D.C.
Copyright 1992 Reed Business Information, Inc.
From Kirkus Reviews
A girl comes of age in '50's South Carolina fighting the label ``trash'' and the violent advances of her stepfather: an overly familiar story as Allison (Trash, 1988) handles the material in a surprisingly nostalgic way. When narrator Ruth Ann Boatwright (nicknamed Bone) is born to 15-year-old unmarried Anney, the word ``ILLEGITIMATE'' is stamped in big red letters on the birth certificate; for years, Anney will stubbornly try to get a new document without the glaring stigma. She will also try to make a decent home for her two daughters, marrying Glen Waddell, who--the black sheep of a prominent local family--admires the heavy-drinking, brawling Boatwright men. Glen adores Anney but the Boatwrights have their reservations: ``the boy could turn like whiskey in a bad barrel.'' Indeed, not only does he have trouble holding a job but soon makes Bone a scapegoat for his frustrations: she suffers beatings and sexual molestation, keeping silent in order not to spoil her mother's hard-won happiness. Though the family triangle is the dramatic center of the novel, the narrative meanders through the story of the Boatwright clan. Bone reflects on her strong and independent (if hard-treated) aunts and appreciates family strength, love, and loyalty while recognizing that the outside world sees the Boatwrights as antisocial trash. Compassionate if not very compelling; after the often searing power of Allison's short stories, she seems not to have claimed her voice so much as tamed it. -- Copyright ©1992, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
28 of 30 people found the following review helpful.
An important novel that depicts the rural poor with sympathy and attempts to make sense out of violence
By Michael P. Beblowski
Describing the plot of Dorothy Allison's "Bastard Out of Carolina" using the narrow parameters offered by Amazon reviews as either "Predictable" containing "Some Twists" or "Full of surprises" is both reductive and irrelevant. What Allison has brilliantly achieved with her debut novel is the construction of a heroine (Bone) whose experience does not perpetuate stereotypes about the rural poor. Her extended family copes with alcohol addiction, domestic violence, bad credit, the contempt of their community, unemployment, familial disapproval and self-loathing all depicted from the subjectivity of Bone who finds it easier to identify with Emmie Slattery and her "P.W.T" family than with Scarlet O'Hara in Gone With the Wind. Allison's novel inspired controversy by depicting child abuse not as a conspiracy of parental indifference and malice (not because poor parents love their children less than middle class respectable nuclear families) but something more emotionally nuanced and impossible to reconcile. Though, I imagine that the other reason Bastard Out of Carolina has been banned from high school curricula across the country is that Bone's emerging sexual masochism is connected to the beatings she receives from her abusive stepfather. Unfortunately, our culture is uncomfortable perceiving childhood sexuality or gender identity in any terms, but to read about a young girl's sexual fixation on the belt used to whip her is too problematic for a general (respectable and Victorian) audience. Is Bone less of a victim of abuse if the emergence of masturbatory fantasies revolve around fetish objects that reflect the violence she endures? Is her stepfather still a monster if he is also a victim of emotional abuse from a distant and disapproving father? Is her mother negligent and devoid of pride if she fought desperately year after year to alter her daughter's birth certificate to reflect her legitimacy, if she physically fought her husband every time she witnessed her abusing her daughter, if she left her husband to protect her daughters but still clung to the hope that they could resolve all differences and become a happy family? That everyone is depicted with a non-judgmental moral ambiguity instead of the typical condemnation the poor are subjected to in a supposedly classless society that blames the impoverished for failing to perpetuate the myth of meritocracy, is a major achievement. It unfortunately is what gets important books like Bastard Out of Carolina and the Bluest Eye removed from high school reading lists and labelled as irresponsible and depressing by outraged PTA members, if these novels perpetuated the monster/ victim paradigm culminating in courtroom dramas where justice is upheld books by Toni Morrison and Dorothy Allison might be allowed on a syllabus. But, because Bastard Out of Carolina reflects the realities of an invisible class of people whose "ignominious" lives are only seen in print on a police blotter, it will continue to inspire censorship and controversy. You should still read it.
4 of 4 people found the following review helpful.
Beautifully written, in the first person and through the ...
By Just Sayin'
Beautifully written, in the first person and through the eyes of a child, this tale of a young girl who hardly stands a chance in life is a tough read. The characters were not my people, yet I know them -- perhaps too well. The author tells a story that too many people live, yet and none want to hear. Read it. You may not enjoy it, but it will touch your soul.
2 of 2 people found the following review helpful.
Challenging, Thought Provoking Work
By Basil Abraxas
This is a book about child abuse. It is visceral, honest, and raw in its unflinching descriptions of actions, emotions, and settings. It is a book I would encourage young people to seek out and read because it inspires critical thinking and thoughtfulness. The author paints a detailed picture not just of the abuse itself, but also of the how abuse happens, how it becomes a part of everyday life, and how not just the victim but the abuser, enabler,and even just those watching from afar are affected by it.
Mostly, as an adult who lives in the south, what I left with after reading this book was how familiar it all felt. Not that I am a victim or that I know any victims of child abuse as depicted here, but just the setting and the people, their personalities and struggles rang so full of truth to me. Also, the ideas of how the horrific and the unusual can become natural, how environment can warp how we view the world: it's a powerful message. This book is like a slice of reality put onto a page and it is terrible and beautiful and tragic and terrifying all at once.
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